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What Mary deduces about Sherlock

just-sort-of-happened:

Sherlock clashes John’s proposal dinner with no forethought to how he will be received. John attacks him three times and walks away. Sherlock and Mary talk and she reassures him that she will, ‘talk him around’. Then Sherlock deduces a series of things about Mary. We…

kinklock:

i will honestly never be over the fact they have both Sherlock and John shaving for each other in the season where they both have girlfriends like what a fucking beard joke unbelievable 

breelifts:

socialjusticekoolaid:

Protesters from across St Louis turned up and turned out for the first St Louis County Council Meeting since Mike Brown’s Death. (Part I)

The St Louis County Council wasn’t as bad as Ferguson’s Council, but still very few answers and virtually no accountability from the folks who unleashed unholy hell on the residents of Ferguson, following Brown’s murder. #staywoke #farfromover

KEEP POSTING I NEED TO KNOW! DONT STOP POSTING ABOUT THIS. IT IS NOT OVER!

My Least Favorite Trope (and this post will include spoilers for The Lego Movie, Guardians of the Galaxy, The Matrix, Western Civilization, and—cod help me—Bulletproof Monk*.) is the thing where there’s an awesome, smart, wonderful, powerful female character who by all rights ought to be the Chosen One and the hero of the movie, who is tasked with taking care of some generally ineffectual male character who is, for reasons of wish fulfillment, actually the person the film focuses on. She mentors him, she teaches him, and she inevitably becomes his girlfriend… and he gets the job she wanted: he gets to be the Chosen One even though she’s obviously far more qualified. And all he has to do to get it and deserve it is Man Up and Take Responsibility.

And that’s it. Every god-damned time. The mere fact of naming the films above and naming the trope gives away the entire plot and character arc of every single movie.

Elizabeth Bear - My Least Favorite Trope (via feministquotes)

whoo boy am I sick of this, yuuuup

(via faitherinhicks)

I never thought about it like this before, not in conscious terms, but yeah, I’ve noticed this, too. This is really crappy!

(via doctordischordia)

imrisah:

imrisah:

I’M CRYING BECAUSE STEVEN LOFFAT IS IN ON AN ITALIAN MICKEY MOUSE DISNEY COMIC AND HE’S WRITING REAL BAD ROMANTIC TELEVISION THIS IS JUSTICE BYE FIRENDS

Ok someone just found this and asked me to translate and I think it’s worth the time:
-And this episode is ready! The only thing left is my signature… Steven Loffat, cult writer! Eh eh!
-“In the next episode: will Bidge and Paperell stay together? Who’s Thonda's new boyfriend? What has the Befana got to do with it?”
-“The answer is…” huh?!

imrisah:

imrisah:

I’M CRYING BECAUSE STEVEN LOFFAT IS IN ON AN ITALIAN MICKEY MOUSE DISNEY COMIC AND HE’S WRITING REAL BAD ROMANTIC TELEVISION THIS IS JUSTICE BYE FIRENDS

Ok someone just found this and asked me to translate and I think it’s worth the time:

-And this episode is ready! The only thing left is my signature… Steven Loffat, cult writer! Eh eh!

-“In the next episode: will Bidge and Paperell stay together? Who’s Thonda's new boyfriend? What has the Befana got to do with it?”

-“The answer is…” huh?!

mild-lunacy:

musthaveblackedout:

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:
Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.
We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.
Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

This

is how

the show

introduces

Read More

mild-lunacy:

musthaveblackedout:

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:

Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.

We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.

Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

This

is how

the show

introduces

Read More

cuddlyxmedics:

sanjuanwolf:

I sometimes forget that Death is a female (who’s in love with deadpool) in the Marvel universe.

I will always reblog this.

(Source: fialsamsagui)

notmargaery:

*university voice* unfortunately… we have too much money… so we have to raise tuition so we can build a place to keep all the other money in… so sorry unavoidable

panicatthedisco:

If you’re living under a rock, we put up this cover of “Bohemian Rhapsody” yesterday and HOLY SHIT it has 350,000 plays. Thanks for the love, y’all.